Thoughts, writing

Editing: The Personal Touch

PLUS you get a very small sneak peek at on of my WIPs

I had an interesting experience this week that really brought home how important it is to have a strong personal editor-writer rapport.

Along with working to build my own client list, I’ve been applying to positions to do some proofreading/copyediting for external companies. I see it as a great way to bring in a steady income while also developing the skills I want to put back into my own business.

This particular job would have been great. Working from home, choice of projects, ability to choose my own hours… but no client interaction. Everything would come from the company-as-mediator.

This sort of raised some questions for me, but I figured I would apply for it anyway as it couldn’t hurt to see what the process was like.

Part of the application was a series of mock assignments based on the various types of projects that would be coming in. Technical papers, English assignments, blog posts, etc.

But as I started it, I realized how much of a double-edged sword having the company-as-mediator would wind up being.

Now, to be fair, I come at projects very much with a creative-editor/writer mindset, where keeping the voice and authenticity of the piece clear is just as crucial as ensuring it’s typographically/grammatically clean. This company, I suspect, is looking for more of a technical editor. Someone who just dives in and makes changes at will.

But as I was working through these assignments, there were moment where I was left with questions. The meaning of the sentence wasn’t entirely clear. Was there more to the point they were trying to make? A sentence that started, but never really ended, arguments that never seemed to reach their point.

I suppose the point of the test was to prove that I could edit these sentences in a way that made them sound complete, however possible. But that would just be rewriting someone else’s work, which, I guess, just isn’t in me to do. I want to be able to foster relationships with my clients, just as I foster relationships with my editors. I want to be able to leave comments in track changes requesting/suggesting clarifications, just as I love when my editors do this for me. It allows the weaknesses to be caught without losing the authenticity of the piece.

It takes a great deal of trust to send someone your work. Ego is involved, money is involved, and your faith in the final product before it goes out into the world. More than anything else, you want to make sure that you’re working with someone who cares about your WIP as much as you do, who wants to make sure that the best version of it goes out into the world.

To date, I’ve been incredibly lucky in the editors I’ve worked with. They had turned the pages of my WIP black and blue, but I have walked away with the absolutely confidence my book was stronger for it.

If I can be that and offer that for someone else, then that just makes every comma question worthwhile.

What do you look for in an editor?

Thoughts, update, writing

Happy New Year!

design-2019-to-reach-new-yearWishing everyone a fantastic start to 2019.

I have quite a few business-related goals this year, most of which involve keeping on top of my administrative tasks (a goal I make every year. This will be the year I achieve it*!), but my primary focus is to find ways to feed my soul, as it were.

I begin this year on the search for a new dayjob contract to help my husband and I save up for some renos we want to do around the house, but I’m going to be choosy this time around.

I’m looking for a job that best suits me, and I won’t settle for anything less. The way I’ve always seen it is that life is too short to be unhappy or unfulfilled. Yes, yes, bills need to get paid and responsibility and adulting and all that fun stuff, but I don’t see where “misery” comes into any of that. Even if it’s not your dream job, it can still be satisfying, fulfilling, social, and — sometimes — fun. Food for thought for 2019…

Another possibility is that I fill my schedule with proofreading contracts, which would also thrill me to my fingertips.

So if you’ve got a book coming out this year that you want polished to a fine sheen, shoot me a message. I’d love to work with you!

What are your goals this year? The wild, the crazy, the realistic? I want to hear about them all!

Thoughts, writing

Lie vs. Lay

It’s not a pet peeve this week, just a tricky one that often gets me thinking twice, too. And lately I’ve been seeing it in all kinds of trad pubbed books as well as indie.

The dreaded Lie vs. Lay

lying-lion
This lion is lyin’ down. Ha… ha…

WHICH ONE DO YOU USE AND WHEN? It’s the frequent cry I hear in my dreams as some writer somewhere in the world stumbles upon this dilemma and proceeds to tear out their hair. WHY ARE THESE WORDS SO CLOSE BUT NOT THE SAME?

I know, my friend, I know.

So I’m going to attempt to help clear things up by sharing the tip that finally made it click in my own head. If you hear the same click in yours, huzzah! If not, it’s all right. Your time will come.

Lie is more of an active verb; lay is passive.

You lie down on the bed, but you lay the socks down on the dresser.

I lie in the grass, but I lay the blanket on the sand.

BUT WHAT ABOUT IN THE PAST TENSE???? you might scream in frustration.

A good question, because this is where grammar really hates us.

You lay down on the bed, but you laid the socks down on the dresser.

I lay in the grass, but I laid the blanket on the sand.

WHAT ABOUT THE PAST PARTICIPLE???

All right, all right, this one is a will be easier if you’ve gotten the past tense down:

You have lain down on the bed, but you have laid the socks down on the dresser

I have lain in the grass, but I have laid the blanket on the sand

Lie          Lay         Lain

Lay         Laid        Laid

If you want or need more tricks to try to make it stick, the Grammar Girl has got you covered!

Did you hear the click? Was this post helpful? Let me know in the comments!